To aid direct searches for applicable criticism, all of the currently available criticism is listed below with the associated poet, poem, criticism type, and tags, as applicable. Criticism can also be filtered by these criteria using the sidebar on the right.
Title | Poet | Poem | Criticism Type | Tags |
---|---|---|---|---|
Robert Lowell: On "Dream Song 29" | John Berryman | Dream Song 29 | Poem Criticism | remorse; wonder; nightmare; hazardous; imperfect; mannerism; disintegration; relentless; indulgence |
Lynn Keller: On "At the Fishhouses" | Elizabeth Bishop | At the Fishhouses | Poem Criticism | fish; fishouses; Moore; grandfather; history; sea; passage of time; symbolism |
James E. B. Breslin: On "Skunk Hour" | Poem Criticism | personal; Hell; orange; heiress; otherness; mythology; skunks | ||
Denis Donoghue on "Huffy Henry" | John Berryman | The Dream Songs | Poem Criticism | three; objective; generic; representative; apocalyptic; mankind; consistent; distinct |
John Berryman | John Berryman | The Dream Songs | Poem Criticism | beat slang; Negro; sequence; Dreams; minstrelsy |
Helen Vendler: On "Dream Song 5" | John Berryman | Dream Song 5 | Poem Criticism | Henry-dialect; Henry; emotions; personality; psychiatric terms |
Gary Smith: On "We Real Cool" | Gwendolyn Brooks | We Real Cool | Poem Criticism | pathos; existential freedom; personae; golden; youthful arrogance; self-definition; Education; alliterative; jazz; June; rape; seduce; sexual climax; Elizabethan |
Steven Gould Axelrod: On "Skunk Hour" | Robert Lowell | Skunk Hour | Poem Criticism | Catholic; protestant; Boston; emotion; rebellion; social structure |
Fred M. Fetrow On "A Letter from Phyllis Wheatley | Robert Hayden | Poem Criticism | psychogram; American black poet; England; Orbour Tanner; Irony; ocean crossing; westward crossing; slave; British Chimney Sweep | |
Barbara B. Sims: On "We Real Cool" | Gwendolyn Brooks | We Real Cool | Poem Criticism | diction; Rhythm; pride; pathetic; falsehood; Tone |
Pontheolla T. Williams: On "A Letter from Phyllis Wheatley" | Robert Hayden | A Letter from Phillis Wheatley | Poem Criticism | colonial; slavery; docile; horrrors; middle passage; segregated; Eden; Cannibal Mockingbird; humor; Religion; faith |
Jon Woodson: On "Middle Passages" | Robert Hayden | Middle Passage | Poem Criticism | The Waste Land; modernist; Stephen Vincent Benet; Christianity; Epic |
D. H. Melhem: On "Gay Chaps at the Bar" | Gwendolyn Brooks | Gay Chaps at the Bar | Poem Criticism | Harlem Awakening; Sonnet; soldiers; World War II; imagery |
Pantheolla T. Williams: On Middle Passage | Robert Hayden | Middle Passage | Poem Criticism | origin; relates; Afro-American; hero; alien; slavery; timeless; free; immortal; tribes; Tone; dignified; mystical; lyrical; Narrative; telescoped; greed; gold; fragmentation; Allusion; justice; social-change; iconography; reckless; faith; optimism; black; poet; heritage |
John Hatcher on: Aunt Jemima of the Ocean Waves | Robert Hayden | Aunt Jemima of the Ocean Waves | Poem Criticism | mythological; resilence; symbol; Afro-American; idenitity; survival; strength; fake; culture |
Kenny Jackson Williams: On Brooks' Life and Career | Gwendolyn Brooks | Biographical | Chicagoan; South Side; racial dynamics; American Childhood Magazine; Chicago Defender; Pulitzer Prize; Fisk University Second Black Writers' Conference; the black aesthetic; Black Arts movement; urban; objective voice; Harlem Renaissance; Chicago School; poet laureate | |
On: Robert Hayden's Early Work and Cultural Context | General Poet Criticism | Drama; resistance; literary models; the diver; to the dead of the international brigade | ||
Criticism of A Letter From Phyllis Wheatly | Poem Criticism | psychogram; epistolary; dramatic; slave; dark skin; murmur; hissing; idyllic | ||
James D. Sullivan on "We Real Cool" | Gwendolyn Brooks | We Real Cool | Poem Criticism | selected poems; Harper & Row; Broadside Press; Slang; Rythm; Power; We; First person; Cool; Racial; Empowering; Anonymous |
Harry B. Shaw: On "Gay Chaps at the Bar" | Gwendolyn Brooks | Gay Chaps at the Bar | Poem Criticism | America; Struggle; individualism; racism; WWII; soldiers; Sarcasm; Uncertainty; poverty; youth; ignorance; Religion; music; doubt |
Brooks on "Gay Chaps at the Bar | Gwendolyn Brooks | Other Writing by Poets | Sonnet; off-rhyme; solider; Letters; World War II | |
Gwendolyn Brooks: On "We Real Cool" | Gwendolyn Brooks | We Real Cool | Poem Criticism | We |
George Stavros: An Interview on "We Real Cool" | Gwendolyn Brooks | We Real Cool | Poem Criticism | colloquial rhythm; form; feeling; pretensions; Identity |
Brad Gooch: On "A True Account of Talking to the Sun at Fire Island" | Frank O'Hara | A True Account of Talking to the Sun at Fire Island | Poem Criticism | Koch; anthology; Mayakovsky; conversation; Death; prophetic |
Kathryne V. Lindberg: On "of De Witt Williams on his way to Lincoln Cemetery" | Gwendolyn Brooks | of De Witt Williams on his way to Lincoln Cemetery | Poem Criticism | ill-spent; literariness; Parody; whitman |
George Stavros: On "Gay Chaps at the Bar" | Gwendolyn Brooks | Gay Chaps at the Bar | Poem Criticism | Interview; Gwendolyn Brooks; George Stavros; Sonnet; soldier sonnets; off-rhyme; extensions; letter; form |
John Lowney on "A Step Away from Them" | Frank O'Hara | A Step Away From Them | Poem Criticism | personal poem; 1950s; contemporary; Time Square; urban scene; Lunch Poems; mortality; Federico Fellini; the Film Industry; Pollock; movies; Manhattan Storage Warehouse; BULLFIGHT; The Day Lady Died; culture |
Gladys Margaret Williams: On "Gay Chaps at the Bar" | Gwendolyn Brooks | Gay Chaps at the Bar | Poem Criticism | negros; American Armed Forces; World War II; Navy; The Army Air Force; Tuskegee; Sonnet; Caucasian; prejudices; Alabama State Police Force; police; demoralizing; experience |
David Lehman: On "Why I Am Not a Painter" | Frank O'Hara | Why I Am Not a Painter | Poem Criticism | Natural; Surprises; Relationship; Abstract Expressionism; Anecdote; Degas; Mallarme; Parable; Mike Goldberg; Baudelaire; Rimbaud; Ezra Pound; Ashbery; Irony |
Brad Gooch: On "The Day Lady Died" | Frank O'Hara | The Day Lady Died | Poem Criticism | Billie Holiday; Mike Goldberg; Joan Mitchell; Norman Bluhm; Five Spot; jazz bar; LeSueur; Kenneth Koch; East Hampton; 1957 |