Gloria T. Hull: On "A Mona Lisa"
Her poetic themes themes of sadness and void, longing and frustration (which commentators have been at a loss to explain) relate directly to Grimké's convoluted life and thwarted sexuality. One also notes the self-abnegation and diminution that mark her work. It comes out in her persistent vision of herself as small and hidden, for instance, and in the death-wishing verses of "A Mona Lisa" and other poems.
[. . . .]
"A Mona Lisa" . . . begins:
I should like to creep
Through the long brown grasses
That are your lashes.
As one might predict, Grimké's unpublished poetry contains an even heavier concentration of love lyrics. in these can be found the raw feeling, feminine pronouns, and womanly imagery that have been excised or muted in the published poems:
Thou are to me a lone white star,
That I may gaze on from afar;
But I may never never press
My lips on thine in mute caress,
E'en touch the hem of thy pure dress,
Thou art so far, so far....
My sweetheart walks down laughing ways
Mid dancing glancing sunkissed ways
And she is all in white ...
Most of these lyrics either chronicle a romance that is now dead or record a cruel and unrequited love.
|Title||Gloria T. Hull: On "A Mona Lisa"||Type of Content||Criticism|
|Criticism Author||Gloria T. Hull||Criticism Target||Angelina Weld Grimké|
|Criticism Type||Poet||Originally Posted||15 Jun 2020|
|Publication Status||Excerpted Criticism||Publication||Color, Sex, and Poetry: Three Women Writers of the Harlem Renaissance|
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