Gwendolyn Bennett’s Short Story “Tokens”
HIGH on the bluff of Saint Cloud stands the Merlin Hospital, immaculate sentinel of Seraigne... Seraigne with its crazy houses and aimless streets, scrambling at the foot of Saint Cloud's immense immutability. Row on row the bricks of the hospital take dispassionate account of lives lost or found. It is always as though the gay, little town of Seraigne were thumbing its nose at Saint Cloud with its famous Merlin Hospital where life is held in a test-tube, a thing to be caught or lost by a drop or two of this or a pellet of that. And past the rustic stupidity of Seraigne's gaiety lies the wanton unconcern of the Seine. The Seine ... mute river of sorrows ... grim concealer of forgotten secrets ... endlessly flowing . . . touching the edges of life . . . moving purposefully along with a grey disdain for the empty, foolish gaiety of Seraigne or the benign dignity of Merlin Hospital, high on the warm cliffs of Saint Cloud.
A trim nurse had drawn Jenks Barnett's chair out onto one of the balconies that over-looked the Seine. Listlessly, aimlessly he turned his thoughts to first one aspect and then another of the Seine, Merlin Hospital, the cliffs of Saint Cloud, Seraigne . . . over and again . . . the Seine, Merlin Hospital, the cliffs ... of ... Saint . . . Cloud . . . silly, little Seraigne. It was a better wayâ€”that Seine business. Just swallow up life and sorrow and sadness . . . don't bother about the poor fools who are neither dead nor alive... just hanging on to the merest threads of existence ... coughing out one's heart and yet somehow still keeping heart. Purposeless thoughts these as one just as purposelessly fingers the blanket that covers one's emaciated, almost lifeless legs. But the Seine goes on, and Seraigne continues to be happy, and the pain in one's chest grows no easier.
It so happened that at this particular time there were a number of colored patients at the Merlin Hospital. Most of them were musicians who had remained in Paris after the World War. Two of them had come to London and thence to Paris with Will Marion Cook in the Negro entertainer's heyday. Jenks was one of these. He had been a singer in those days. His voice was now spoken of in the hushed tones one uses when speaking of the dead. He had cherished great plans for himself in those days and no one dared hope otherwise, so rare was his voice in range and quality. That was all changed now. . . .
Merlin Hospital had won nation-wide fame as a haven for patients suffering from tuberculosis. An able staff of doctors and nurses administered daily hope of recovery to broken bodies or perhaps kindly, although inadequate, solace to those whose cases were hopeless. Jenks Barnett had been there five weeks. His case was one of the hopeless ones. The tale of his being there did not take long in the telling. Shortly after the success of Cook's orchestra with its inimitable "singing trombonist" Tollie had comeâ€”Tollie Saunders with her golden voice and lush laughter. From the very first she and Jenks had hit it off well together. It was not long before he was inextricably enmeshed in the wonder of her voice and the warm sweetness of her body.
Dinner at Les Acacias . . . for Tollie ... a hat for her lovely head . . . that dress in Chanel's window . . . she wanted one of those large opal rings . . . long nights of madness under the charm of her flute-sweet voice. His work began to suffer. Soon he was dismissed from the orchestra. Singing soirees didn't pay too well. And then one day before the pinch of poverty came Tollie had left him, taking with, her all the pretty things he had given her . . . leaving no farewell . . . her chance had come to sing in an American production and she had gone. No word of their plan to startle the singing world with their combined talents; no hint of regret that she was leaving . . . just gone. Three nights on a gorgeous drunk and he had awakened to find himself in a dingy, damp Parisian jail with a terrific pain in his back . . . eighteen days in which he moved from one prison-house to another . . . sunshine and air again when his friends had finally found him and arranged for his release . . . sunshine lasts but a short time in Paris . . . endless days of splashing through the Paris rain in search of a job . . . always that pain between his shoulder-blades . . . then night upon night of blowing a trombone in a stuffy little Boite de Nuit during which time he forgot the pain in his back . . . and drink . . . incessant drink . . . one more drink with the fellows . . . and after the job cards and more drink. One came to Merlin after one had been to the American Hospital. One came to Merlin after one had been to every other hospital round about Paris. It does not take long to become accustomed to the turning knife in one's chest. It is good for a hopeless case to watch the uncurbed forgetfulness of the Seine.
Spring had sent ahead its perfume this day. It was as though the early March air were powdered with the pollen of many unborn flowers. A haze settled itself in the air and on the breast of the river. Jenks forgot for a moment the relentless ache in his bosom and breathed deeply in sheer satisfaction. In the very midst of this gesture of aliveness the tool of death, lodged in his lung, gave a wrench. A hacking cough rose in his throat and then seemed to become stuck there. His great, gaunt frame was shaken in a paroxysm of pain. One lit of stilled coughing over, his head ten pack upon the pillow. A nurse hurried to his side. "Guess you'd better go in now. I told you not to move around."
With quick, efficient hands she tucked the cover more closely about his legs, lowered the back of the invalid chair in which he was sitting, and pushed him carefully back into the hospital. As his chair was rolled through the ward it was as though he were running the gamut of scorn. Jenks was not a favorite at the hospital by any stretch of the imagination.
Few of the patients there had escaped the lash of his tongue. Sour at life and the raw deal it had dealt him, he now turned his attention to venting his spume on those about him. Nurses, doctors, orderlies, fellow-patients, persistent friends ... all shared alike the blasphemy of his words. Even Bill Jackson, the one friend who continued to brave the sting of his vile tongue, was not spared. Bill had known him and loved him before Tollie came. It was in this memory that he wrapped himself when Jenks was most unbearable. He accused Bill of stealing his money when he asked him to bring him something from the city. . . .There had been many who had tried to make Jenks' last days easier but one by one they had begun to stay away until now there was only Bill left. Little wonder the other patients in the hospital heaped invective upon him as he passed.
So thin he was as he lay beneath the covers of the bed that his knees and chest made scarcely perceptible mounds in the smooth whiteness of the bed. The brown of his face had taken on the color of dried mud. Great seams folded themselves in his cheeks. There he lay, the rotting hulk of what he had once been. He had sent for Bill . . . these waiting moments were so long!
"Hi there, Jenks" ... it was Bill's cheery voice... "thought you'd be outside." "Can't go out no more. Nearly kicked off the other day."
"Thas all right. .. you'll come around all right."
"For God sakes cut it out. I know I'm done for. You know it, too, damn it all."
"Come on now, fella, be your age. You can't last long if you get yourself all worked up. Take it easy."
"Oh I get so damned sick of the whole business I wish I would hurry up and die. But whose business is that but mine ... got somethin' to tell you."
"See I'm dyin' ... get me. They keep stickin' that needle in me but I know damn well I'm dyin'. Now what I want you to do is this ... I wrote a letter to Tollie when I first came here . . . it's in her picture in my suit-case . . . you know that silver frame. Well when I die I want you to give it to her, if it's a thousand years from now . . . just a token of the time when we were in love. Don't forget it. Then you remember that French kid that used to be on the ward downstairs . . . she always liked that radium clock of mine. She's been transferred to the Gerboux Sanitarium . . . almost well now. I think they said she would be out in a year. Good kid . . . used to climb up here every afternoon . . . stairs sort of wore her out, too. Give her my clock and tell her I hope she lives to be well and strong 'cause I never'll make it. God, she was an angel if ever there was one ... she used to sit there on that chair where you're sittin' now and just look at me and say how she wished she could die in my place cause I was such a big man . . . and could sing so. ... I believe she'd like to have something to remember me by. And, Bill, you take . . . that . . . mmmghgummmm . . . mmm. . . ."
That strangling cough rose in his throat. His eyes, always cruel, seemed to look out softly at Bill. A nurse hurried swiftly into the room and injected a hypodermic needle into his arm. A tremor went through his body. His eye-lids half closed ... he slept.
The days dragged out in one week after another. Jenks lingered on like the days. Outside the Seine flowed endlessly on unhindered and free. It was all so futile and strange . . . waiting this way.
June had laid her warm mouth upon the face of the earth. With soft languor the sun slid tenderly over the cliffs of Saint Cloud . . . even tenderly over the grey bricks of Merlin Hospital. Jenks had raged so about not being allowed to lie on the balcony that at last the hospital authorities had relented . . . there was such a short time left for him anyway ... he might as well have what he wanted . . . this was the first day that had been warm enough. As he lay there he looked out across the cliffs, past the little town of Seraigne, out past the Seine .. . on ... on ... immune to life . . . conversant with death .. . on to the great simplicities. He got to thinking of when he was a boy . . . the songs he used to sing .. . he almost thought he'd try to sing now . . . what did it matter if he got another coughing spell . . . but then the nurses would all be in a flurry. Nice to be out here once more looking at the Seine and the world where people lived and breathed.
Bill sighed as he placed the little clock on the mantle-piece. Funny world, this! The French girl had died in late May. He had better not tell Jenks ... it might upset him. No-o-ope better just keep the clock here. Funny how the first kind thing Jenks had done for anybody since Tollie left him should be done for a person who was dead.
High on the bluff of Saint Cloud stands the Merlin Hospital, immaculate sentinel of Seraigne . . . with its crazy houses and aimless streets, scrambling at the foot of Saint Cloud's immense immutability. Row on row the bricks of the hospital take dispassionate account of lives lost or found.
From Ebony and Topaz: A Collectanea. Ed. Charles S. Johnson. Manchester, NH: Ayer Co. Publishing,1927.149-150.
|Title||Gwendolyn Bennett’s Short Story “Tokens”||Type of Content||Other Writing by Poets|
|Criticism Author||Gwendolyn Bennett||Criticism Target||Gwendolyn Bennett|
|Criticism Type||Poet||Originally Posted||17 Apr 2015|
|Publication Status||Excerpted Criticism||Publication||Ebony and Topaz: A Collectanea|
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