Through the course of a long and productive career, William Heyen has regularly returned to the Holocaust as a subject. Thus we open this selection from his work with his frequently anthologized poem “Riddle.” But in many ways his most remarkable achievement is the book-length poem sequence Crazy Horse in Stillness (1996), which consists of a 464-poem “dialogue” between the great Ogalala Lakota war chief Crazy Horse (c.
While Crane is best known for his novel The Red Badge of Courage (1895) and for his short stories, he also wrote two volumes of poetry, The Black Riders and Other Lines (1895) and War Is Kind (1899).
Arguably the greatest poet of his generation, Yeats produced World War I poetry pervaded by a sense of impending violence.
Owen’s iconic war poems, composed in the year before he was killed in France, are in many ways the most influential to have come out of World War I.
Sassoon’s first war poetry was patriotic, bur he was wounded twice in France, began to be offended at war profiteering, and finally became a pacifist.
Before being killed in the Battle of Arras, Rosenberg wrote a cluster of bitterly ironic poems layered with direct experience of trench warfare.
Thomas’s deeply pessimistic war poetry was written in England while he was in training for service in France. He was killed in action during the Battle of Arras.
Alberto Alvaro Ríos was born in the city of Nogales, Arizona, on the Mexican border. His mother was British and his father Mexican. Ríos was educated at University of Arizona and now teaches at Arizona State University. His poetry has been set to music in a cantata by James DeMars called "Toto's Say” and also adapted to both dance and popular music. As “Madre Sofía” demonstrates, there is a distinctive strain of magical realism in his work, something he is adept at sustaining in verse narratives.
Born in Wilmington, North Carolina and raised in California, Guest earned a B.A. in Humanities in 1943 at UC Berkeley. She spent years in New York City where she became involved with the New York School poets, including Frank O’Hara and John Ashbery. She was also well known for her book on the poet H.D., Herself Defined: The Poet H.D. and Her World (1984). Like the others in the New York School, Guest took issue with the closed-form New Critical aesthetics then dominating the academy.
William Edward Burghardt Du Bois is perhaps America’s single most influential black writer. His analytical and autobiographical The Souls of Black Folk (1903) introduced the defining concept of a racialized double-consciousness.